Media Arts Lab is the bespoke global agency for Apple and only Apple.
We think different to create impact for the world’s most iconic brand.
The Head of Strategy’s role is to own and drive the strategic agenda for MAL and Apple in Japan, in collaboration with all disciplines across the agency but in particular Creative, Account and Media.
The Context
The agency’s Tokyo office is a foundational piece of our global network and provides a dedicated service to the Japanese market.
Originally established as a high-end adaption hub, taking global creative from our Los Angeles head office and localising it flawlessly, the market has evolved rapidly and the additional challenge is now to produce bespoke, locally relevant work that breaks through in Japanese culture.
Partnering with executive leadership in creative, business management and media, this position plays a central role driving this ambition, setting the strategic agenda, and delivering creative opportunities across a broad, culturally-nuanced and important market to Apple.
Strategy at MAL operates as an interconnected network, viewing one brand through the similarities and distinctions of different markets across the world. Strategy is a challenging but ultimately rewarding role for someone who’s motivated by the opportunity to unlock what Apple means from both a business and creative perspective.
The role currently reports into our Managing Director at Media Arts Lab Tokyo, Taro Sato.
Your Remit & Responsibilities — What You Do…
•Thought Leadership — define the strategic agenda for Apple in Japan, bringing new perspectives, evolving established perspectives, and setting a roadmap that drives everything from knowledge of the business and the brand, development of creative campaigns to digital transformation and innovation for the brand.
• Growth — identify opportunities for growth, both creatively and commercially, for MAL and for Apple. Shape the work strategically and creatively to solve business challenges, even if that pushes beyond the comfort zone of the familiar.
•Market Context — truly understand the market’s nuances and complexities. Go deep and beyond the obvious in order to set the correct cultural context in which the work needs to live. Share this level of understanding with the agency and the client so everyone is operating from the same baseline.
• Creative Briefs — turn insights into compelling and actionable briefs that inspire your creatives to solve the business challenges the strategy team has identified. The briefs bring the insight to life and create a framework for creatives to start from, a framework that includes media approach and campaign structure.
• Collaboration - actively engage creative leadership for input and feedback on the brief throughout the development of the brief, ensuring buy in and blessing of the direction prior to briefing the creative department.
•Creative Briefings — set the tone for the creative development process by taking as much care in the initial briefing as went into the brief itself. Find fresh and innovative ways to engage creatives, even if the problems or platforms are familiar, providing the sharpest strategic springboard for the development process.
• Brand Guardian — be guided by what is right for Apple, have a point of view, and then be able to clearly articulate and defend why something is right for the brand. Constructively debate the work as it’s developed, always ensure that the creative work is delivering against the problems that it was designed to solve.
•Be A Voice In The Room — have a voice with global MAL leadership and with the client, both locally and WW. You and the executive leadership should partner to fight for work that you believe is right for the market and the client.
Your Remit & Responsibilities — How You Do It…
•The Outside On The Inside — know and respect the brand inside out, but make sure you always represent MAL and what the agency can bring to Apple from our unique POV. Ensure that you tread a fine line between agency and client.
•Live and Breathe ‘Media Arts’ — intuitively explore established and new shapes of work (in digital platforms, channels and formats) and drive how the agency can leverage them to bring big ideas to life.
•Spearhead the Media Integration — build the strongest possible partnership with the media team so that the client sees a united front from their agency partners. Use this dynamic to ensure media and comms planning is embedded into your thinking from the start within the brief, help the creatives throughout the creative process and bring this integrated thinking to life.
•Methodology — demonstrate a rigorous approach by marshalling the tools, data, research opportunities, and the team at your disposal to turn information into valuable insights. Analyse learnings from previous campaigns and use them to inform the next.
•Partnership Locally — work hand-in-glove with your business and creative partners to ensure there is always internal alignment and the agency presents a united front. Constructively debate and challenge each other, but leave room for alternative perspectives. At the end of the day, have each other’s back and respect the part that everyone plays.
•Stakeholders Globally — respect the structure and hierarchy of the agency, and use it to the advantage of JP. Leverage the global Executive Team, as well as the support and business insight that the LA account and strategy teams can share.
•The Client — own the strategy relationships with the client. Have the gravitas and strategic credentials to present work in a compelling and creatively engaging way directly to Geo and WW.
The Remit & Responsibilities — Leadership…
•Agency Leadership — be a prominent and visible member of MAL Tokyo leadership. Work to create an environment where our people want to be, where they can develop, where they can succeed, and where they are happy.
•Team Leadership — set the standard for the team to follow. Develop them and the overall strategic offering that the team contribute. Instil a sense of curiosity and push them to connect with cultural, category and the JP market landscape to enrich their thinking.
•People Leadership — be an invested manager who works with the agency’s leadership on staffing, talent development, performance evaluation, internal culture and team building.
•A Source Of Inspiration — be a source of continual inspiration to the agency at large. Stay on top of trends in consumer behaviour, tech, creativity, music, art, and wider culture, and bring all of this into the agency.
•Mentoring And Your Development — engage with the host of senior strategic talent that the agency has globally. Exchange ideas, learn from their experience, and refine your approach to how you lead the strategy function.
A Little More On Who We’re Looking For
• A strategic leader of the highest calibre, with the industry reputation to match. A leader who inspires the agency internally, but who strategists in the market want to come and work for.
• Substantial experience of breakthrough strategic direction and creative output for culture-defining brands.
• A track record of award wins at shows that matter to our client, and knowledge of how to take MAL Tokyo to that level.
• A visionary with an easy style, who inspires executive level creatives and executive level clients.
• A next-level critical thinker, capable of making the complicated feel simple.
• An experienced student of strategy, with a fluency in social and cultural trends, technology, and marketing theory.
• An integrated operator, who has experience in, and can sync up, brand strategy, interactive, content, data, insights, and comms planning.
• Extremely well versed in today’s media and technology environment, and who has experience of transforming the digital capabilities of an agency and/or client.
• A record of intentional innovation — not jumping on bandwagons or trends, but always looking for opportunities to adapt and evolve.
• A generous leader, with a positive and resilient outlook, that sets the tone and creates a rising tide.
• Established track record of leading large and varied teams, and making the people in those team as great as they can be.
What We Believe
We believe that what MAL creates belongs to everyone; and everyone belongs at MAL.
We think creativity lives in open, safe and brave spaces, where diverse perspectives can come together, free of prejudice and discrimination.
We strive to be a partnership of equals. Everyone has a role to play here, and we invite you to bring your fully authentic and crazy selves to this space. Together, we’ll do the best work we’ve ever done.
| 職種 / 募集ポジション | Head of Strategy_Media Arts Lab Tokyo |
|---|---|
| 雇用形態 | 正社員 |
| 給与 |
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| 勤務地 | |
| 福利厚生 | <休日> ⼟曜⽇、⽇曜⽇(法定休⽇) 国⺠の祝⽇ 年末年始(12⽉29⽇〜1⽉3⽇) <休暇> 年次有給休暇 有給とする特別休暇 ├Funday Friday(毎月第2金曜日) ├慶弔休暇 ├バースデー休暇(誕生月に1日) ├フリーバカンス休暇(⼊社翌年度より4⽉1⽇から翌3⽉31⽇までの間に連続5⽇間) ├ハンティングウィーク(8月に会社が指定した週の5日以内) ├生理休暇(女性を対象に月1日) ├その他出産休暇など <社会保障> 健康保険、介護保険、厚生年金、雇用保険、労災保険完備 <福利厚生> 会員制福利厚生サービス、団体定期福祉保険/医療保険、確定給付企業年金、財形貯蓄制度他 |
| 会社名 | 株式会社TBWA HAKUHODO |
|---|---|
| 事業概要 | 総合広告事業全般 |
| 設立日 | 2006年8月1日 |
| 代表取締役社長兼CEO | 内田 渉 |
| 従業員数 | 約400名 |
| 本社所在地 | 東京都港区。 電車の最寄駅はJR田町駅 及び 都営地下鉄の三田駅です。 田町駅 / 三田駅からは徒歩10分程度。 |
| オフィス写真 | こちらからご覧いただけます。 https://www.tbwahakuhodo.co.jp/stories/th-office/ http://officemill.jp/office/1008 |
| リモートワーク | 可能です。 ただし、職種や部門、担当する得意先の性質、発生する業務によってリモートワークの頻度は変動。 週3日(火曜・水曜・木曜)をAgency Dayとし、皆でオフィスに集まって仕事をする日として推奨しています。 |
| 副業 | 可能です。 ただし、会社が定める条件となる長時間労働の回避をはじめとする安全配慮義務、秘密保持義務、競業避止義務及び誠実義務等の履行が困難となる恐れがある場合は認めていません。 |
| 正規雇用労働者の中途採用比率 | ※労働施策総合推進法に基づく中途採用比率の公表 2021年度:94% 2022年度:94% 2023年度:94% 2024年度:82%(新卒比率向上) 【公表日:2025年4月14日】 |
| 仕事の紹介 | ホームページの 「WORK」で我々の仕事の一部を紹介しています。 (大人の事情で掲載できていないものもあります) https://www.tbwahakuhodo.co.jp/work/ 「STORIES」では社員へのインタビューをはじめ、 会社の雰囲気を感じていただける記事を掲載しています。 https://www.tbwahakuhodo.co.jp/stories/ |
| 受賞歴 | TBWA\HAKUHODOの生み出すクリエイティブは、世界3大広告賞である「Cannes Lions」「One Show」「CLIO」のすべてで毎年受賞を重ねるなど、クリエイティビティの高さと先進性が世界的に認められています。2024年度もこれら全ての広告賞で金賞を受賞し、CLIOではグランプリ(Music)を獲得しました。さらに、世界で最も歴史のある広告デザインの国際賞「NY ADC賞」においても最高賞を受賞しました。 広告作品のみならず、エージェンシーとしても幾多の受賞歴があり、アジア最大の広告専門誌Campaign Asia Pacificが主催する「Agency of the Year」では過去12回にわたり「Creative Agency of the Year」金賞に、中東を含むアジア太平洋地区で最も権威ある広告賞の一つであるADFESTにおいて「Agency of the Year」(2018年)に、米国ニューヨークで設立された世界で最も古い広告デザインの国際賞であるADC賞において「Advertising Agency of the Year」(2019年)に選出されています。 さらに、日本広告業協会(JAAA)が最も優れたクリエイターを表彰する「Creator of the Year」にて14年連続でメダリストを輩出し、Campaign Asia-Pacificがマーケティングコミュニケーション業界の傑出した若手リーダーを選出する「40 under 40」にも多数の社員が選ばれるなど、多くの社員が個人賞を受賞し活躍しています。 そのほか、受賞の詳細についてはホームページよりご確認いただけます。 https://www.tbwahakuhodo.co.jp/news/ |
| 研修/社内イベント | ・TBWA\HAKUHODOのコアコンピタンスであるDisruption®️を理解し、Wayを習得するDisruption研修 ・ニューカマー向けの各種基礎講座(マーケティング/デジタル/メディア/制作/プラニング) ・TBWAグローバル主催の研修 ・博報堂グループの各種研修、ミドル層、リーダーシップ層研修 ・ミドル層向け課題設定実践講座、マーケティング実践講座 ・成長/リスキリングのための能力開発費用補助制度 ・社内のメンバーが自発的に行う社内講座(企画書/プロジェクトマネジメント/AI/DEI等) ・DEIやジェンダーについて理解し考える社内イベント |
| 人材データ(全社平均) | <従業員の男女比率 (身体的分類)> 23年度 女性47% 男性53% 24年度 女性50% 男性50% 25年度 女性52% 男性48% 日本平均 女性27% 男性73% 厚生労働省 雇用均等基本調査R5より <従業員の平均年齢> 23年度 全体39歳 女性37歳 男性40歳 24年度 全体39歳 女性38歳 男性40歳 25年度 全体40歳 女性38歳 男性41歳 <従業員の年齢構成> ・23年度 20代 21% 30代 35% 40代 29% 50代以上 15% ・24年度 20代 20% 30代 35% 40代 30% 50代以上 16% ・25年度 20代 19% 30代 33% 40代 30% 50代以上 18% <有給休暇取得率> 23年度 74% 24年度 77% 25年度 55% 日本平均 65% 厚生労働省 就労条件総合調査R6より <育児休暇取得率> 23年度 女性100% 男性25% 24年度 女性100% 男性75% 25年度 女性100% 男性100% 日本平均 女性84% 男性30% 厚生労働省 雇用均等基本調査R5より <離職率> 23年度 9.8% 24年度 12.4% 25年度 22.1% 日本平均 15.4% 厚生労働省 雇用動向調査結果R5より <平均勤続年数> 23年度 全体6年 女性5年 男性6年 24年度 全体6年 女性5年 男性7年 25年度 全体7年 女性6年 男性8年 日本平均 全体 11.7年 女性 9.6年 男性13.8年 厚生労働省 賃金構造基本統計調査R6より <年間平均総労働時間> 23年度 1991時間(165.9時間/月) 24年度 1985時間(165.4時間/月) 25年度 1919時間(159.9時間/月) 日本平均 1607時間 (133.9時間/月) 厚生労働省 毎月勤労統計調査R5より <従業員満足度> 23年度 84% 24年度 80% 25年度 73% 【2026年4月13日時点データより】 |